The brother duo of drummer Christian and guitarist Jagori Tanna (a stage name adopted through an admiration for Carlos Santana) met vocalist Edwin at their shared rehearsal space in 1990. Edwin asked the brothers to form a band with him, and the three came together in 1991, taking on Franz Masini as a bass player. The band came up with the name IME, as in "I Am Me", but later decided the letters should stand for something. Jag Tanna ad-libbed the name I Mother Earth and has always insisted it has no special meaning. The band, represented by a professionally-recorded five-song demo, played a mere thirteen shows over the next year. These were noted for their jam sessions, poetry readings, and murals painted in the background during the songs. At the end of the year, the band was in the middle of a bidding war between labels. IME ended up being signed to EMI in Canada, and Capitol for the U.S. and internationally.
I Mother Earth travelled to Los Angeles in 1992 to record its debut album with former Guns N' Roses producer Mike Clink. During these sessions, Franz Masini was fired, leaving Jag Tanna to re-record the bass parts by himself. At the completion of the album, Masini was replaced by Bruce Gordon, whose band Rocktopus was breaking up at that time. With the lineup solidified, the band underwent an intensive international tour to support its debut,
Dig, in mid-1993. Considered an anomaly in the "alternative" era and often mistaken for heavy metal, the album combined traditional hard rock with grooves, extended jams, psychedelic lyrics, and the Latin-based percussion of Luis Conte and Armando Borg.
Dig spawned four singles, the first three of which actually originated from IME's demo tape and were later included on the proper album. "Rain Will Fall" and "Not Quite Sonic" were released in the summer of 1993, and "So Gently We Go" and "Levitate" were released the following summer. All four garnered respectable radio and video airplay in Canada, as well as rotations in the U.S. and Europe. The latter two singles in particular charted well on Canadian rock radio. The album itself won a Juno Award in 1994 for Best Hard Rock Album, beating out IME's childhood idols Rush for the award. This cemented a long relationship between the two bands, which started with IME opening for Rush the night after the Junos. By the end of the album's run,
Dig was a Gold record in Canada.
After the exhaustive touring ended, IME ended up in different studios in Toronto and Morin Heights, Quebec in 1995. In these studios, the band worked on its second album, co-produced by Jag Tanna and Paul Northfield, who was most noted for producing Rush. Daniel Mansilla replaced Borg on percussion, and became the band's permanent touring percussionist. Rush guitarist Alex Lifeson also made a guest appearance on the song "Like a Girl". However, signs of dissension in the band were already showing. For the first time, Edwin revealed to the music press that he had no creative control in the band and that such a situation gave him "no reason to be (t)here". He had also spent a great deal of the sessions away from the band, recording the album
Victor with Lifeson. Still, he remained with IME as the group recorded
Scenery and Fish, released in mid-1996. The album, which combined IME's trademark sounds with a slightly softer, radio-friendly approach, was a critical and commercial success. In particular, the singles "One More Astronaut" and "Another Sunday" pushed the band into the commercial elite in Canada, the former cracking the Top 20 on the Billboard Mainstream Rock Chart in the U.S. Subsequent singles "Used to Be Alright" and "Raspberry" also made solid showings on radio and video. In 1997, IME was nominated for a Juno Award for Group of the Year. The album was nominated for the Best Rock Album Juno, and was a double Platinum record in Canada. The band's newfound fame also pushed sales of
Dig over the Platinum record mark.
Around the end of the tour schedule for
Scenery and Fish, IME shocked many fans and reporters when it announced that Edwin would be leaving. From that point on, the band mentioned that Jag Tanna wrote the majority of its music (during jams with his brother and Gordon), that Chris Tanna wrote all of the lyrics, and that Edwin had no control whatsoever. This and musical differences prompted the vocalist to leave. Citing unmanageable tension, the band and Edwin mutually agreed to part ways. The remaining members insisted that they would carry on under the I Mother Earth name, and announced they would be searching for a new lead singer. IME also publicly criticized a show by Franz Masini's new band, which was advertised as "featuring members of I Mother Earth", as a blow to its own name and image. Edwin fulfilled all his contractual obligations with the band, including the Edgefest '97 tour, and left in mid-1997. IME itself ended up in disputes with both EMI and the band's management (Capitol had inexplicably dropped the band prior), and subsequently broke ties with both.
After the exhaustive touring ended, IME ended up in different studios in Toronto and Morin Heights, Quebec in 1995. In these studios, the band worked on its second album, co-produced by Jag Tanna and Paul Northfield, who was most noted for producing Rush. Daniel Mansilla replaced Borg on percussion, and became the band's permanent touring percussionist. Rush guitarist Alex Lifeson also made a guest appearance on the song "Like a Girl". However, signs of dissension in the band were already showing. For the first time, Edwin revealed to the music press that he had no creative control in the band and that such a situation gave him "no reason to be (t)here". He had also spent a great deal of the sessions away from the band, recording the album Victor with Lifeson. Still, he remained with IME as the group recorded Scenery and Fish, released in mid-1996. The album, which combined IME's trademark sounds with a slightly softer, radio-friendly approach, was a critical and commercial success. In particular, the singles "One More Astronaut" and "Another Sunday" pushed the band into the commercial elite in Canada, the former cracking the Top 20 on the Billboard Mainstream Rock Chart in the U.S. Subsequent singles "Used to Be Alright" and "Raspberry" also made solid showings on radio and video. In 1997, IME was nominated for a Juno Award for Group of the Year. The album was nominated for the Best Rock Album Juno, and was a double Platinum record in Canada. The band's newfound fame also pushed sales of Dig over the Platinum record mark.
